Da li postoji gen za ljudski duh? Analiza osnovnih motiva i simbolike u filmu "Gataka"
DOI:
https://doi.org/10.21301/eap.v12i2.8Ključne reči:
antropologija filma, genetski inženjering, diskriminacija, invalidnost, autentičnost, hrišćanska simbolikaApstrakt
Gataka predstavlja umetnički prikaz distopijske vizije budućnosti u kojoj je genetski inženjering ljudi postao deo svakodnevice. Kroz analizu načina na koji su u ovom filmu upotrebljeni motivi diskriminacije i invalidnosti, razmatraju se šire društvene implikacije razvoja nauke na shvatanje ljudskosti u zapadnoj kulturi. U radu se raspravlja o argumentaciji ideje da modifikacija gena znači prisvajanje uloge Tvorca i traže se odgovori na pitanje šta znači biti čovek u genetski determinisanom svetu. Osvetljava se problem novih vidova diskriminacije u potencijalnom post-rasnom društvu i ispituje mogućnost dostizanja autentičnosti i slobode stvaranja sopstvenog identiteta u društvu u kome su dizajnirani ljudi norma. Konačno, predstavljene su ideje i zaključci brojnih autora koji su se bavili svetom Gatake i ponuđen je novi ugao posmatranja koji stavlja akcenat na religijsku simboliku u filmu, iznenađujuće zanemareni motiv u dosadašnjim analizama.
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