Andrić, Ivo. 1959. The Bridge on the Drina. New York: Macmillan.
Azoulay, Ariella. 2008. The Civil Contract of Photography. New York: Zone Books.
Barthes, Roland. 1980. Camera Lucida. New York: Farrar Strauss.
Bećirović, Edina. 2012. Hotel Vilina Vlas, Višegrad — Then and Now, Commemorating Rape Victims. Spirit of Bosnia 7 (2): 1-6.
Bećirović, Edina. 2014. Genocide on the Drina River. New Haven: Yale University Press.
Benjamin, Walter. 1968. Illuminations New York: Schocken Books.
Boose, Lynda. 2002. Crossing the River Drina: Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory. Signs 28 (1), Gender and Cultural Memory: 71-96.
Carroll, Noël. 1987. The Nature of Horror. The Journal of Aesthetics and Art Criticism 46 (1): 51-59
Caruth, Cathy. 1991. Introduction. American Imago: Studies in Psychoanalysis and Culture 48: 1-12.
Clancy, Tim. 2004. Bosnia and Herzegovina: The Bradt Travel Guide. Guilford: The Globe Pequot Press.
Danzinger, Nick and Rory McLean. 2010. Missing Lives. Stockport: Dewi Lewis Publishing and ICRC.
Derrida, Jacques. 1994. Specters of Marx. Trans. Peggy Kamuf New York: Routledge.
Edwards, Elizabeth. 2012. Objects of Affect: Photography beyond the Image. The Annual Review of Anthropology 41: 221-34.
Eng, Karen. 2014. “Orphans of the narrative: Bosnian photographer Ziyah Gafić documents the aftermath of war” August 25 TED blog. http://fellowsblog.ted.com/2014/08/25/orphans-of-the-narrative-bosnian-photographer-ziyah-gafic-documents-the-aftermath-of-war
For Those Who Can Tell No Tales. 2013. Directed by Jasmila Žbanić. DVD. Sarajevo, Bosnia-Herzegovina, Deblokada Films.
Foreign Investment Promotion Agency of Bosnia and Herzegovina. 2012. “Investment Opportunities in Bosnia and Herzegovina.” http://www.sarajevo.ba/ba/files/bcentar/investment-opportunities-fipa.pdf
Freud, Sigmund. 1997. “The Uncanny”. In Freud, Writings on Art and Literature. Stanford: Stanford University Press.
Gafić, Ziyah. 2004. “Aftermath” in Eyes Wide Open: Photography by the winners of the Ian Parry Scholarship London: Chris Boot.
Gafić, Ziyah. 2012. “Quest for Identity” lensculture January 10. https://www.lensculture.com/articles/ziyah-gafic-quest-for-identity
Gafić, Ziyah. 2014. “Orphans of the Narrative”. Huffington Post October 28.
Gafić,Ziyah. “Quest for Identity”. http://www.ziyahgafic.ba/photo.php?id=14
Gordon, Avery. 1997. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.
Gordon, Avery. 2011. Some Thoughts on Haunting and Futurity. Borderlands 10 (2). http://www.borderlands.net.au/vol10no2_2011/gordon_thoughts.pdf
Hirsch, Marianne. 2001. Surviving Images: Holocaust Photographs and the Work of Postmemory. The Yale Journal of Criticism 14 (1): 5-37.
Husanović, Jasmina. 2015. Economies of affect and traumatic knowledge: lessons on violence, witnessing and resistance in Bosnia and Herzegovina. Ethnicity Studies / Etniskumo Studijos 2: 19-35.
Johnson, Tony. 2010. “Thanatourism and the commodification of space in post-war Croatia and Bosnia”. In Tourist Experience: Contemporary Perspectives, Richard Sharpley and Philip R. Stone (eds.). London: Routledge.
Karčić, Hikmet. 2014. Andrićgrad: the ‘town within a town’ on the Drina. Bosnian Institute May 28. http://www.bosnia.org.uk/news/news_body.cfm?newsid=2896
Kleck, Monica. 2007. “A Review from Eastern Bosnia”. In Peacebuilding and Civil Society in Bosnia-Herzegovina: Ten Years after Dayton, Marina Fischer (ed.). Berlin: Lit Verlag.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. New York: Columbia University Press (Trans. Leon S. Roudiez).
Lowe, Paul. 2014. “The Forensic Turn: Bearing Witness and the ‘Thingness’ of the Photograph”. In The Violence of the Image, Liam Kennedy and Caitlin Patrick (eds). London: Tauris.
McLagan, Meg. 2007. “Human Rights, Testimony, and Transnational Publicity”. In Non-Governmental Politics, Michel Fehrer (ed). Brooklyn: Zone Books.
Meštrović, Stjepan and Robert Cushman. 1994. This Time We Knew: Western Responses to Genocide in Bosnia. New York: New York University Press.
No author listed. 2014. “Les Femmes de Višegrad – Rencontre avec Jasmila Žbanić”. À Voir À Lire April 29.
No author listed. 2014. “Q&A: Jasmila Žbanić” Istanbul Foundation for Culture and the Arts April 4.
No author listed. “Rehabilitacioni centar Vilina Vlas.” http://www.vilina-vlas.com/smjestaj.php
Obradović-Wochnik, Jelena. 2013. Ethnic Conflict and War Crimes in the Balkans: The Narratives of Denial in Post-Conflict Serbia. New York: Tauris.
Olujić, Maria B. 1998. Embodiment of Terror: Gendered Violence in Peacetime and Wartime in Croatia and Bosnia-Herzegovina. Medical Anthropology Quarterly 12 (1): 31–50.
Panacomp Wonderland Travel. “Drina River Rafting and its Gorgeous Surroundings” http://www.panacomp.net/drina-river-rafting-and-its-gorgeous-surroundings/
Pile, Steve. 2010. Emotions and affect in recent human geography. Transactions of the Institute of British Geographers, New Series, 35 (1): 5-20.
Riedlmayer, András. 2007. Crimes of War, Crimes of Peace: Destruction of Libraries during and after the Balkan Wars of the 1990s. Library Trends 56 (1): 107-132.
Santill, Paul. 2007. Culture, Evil and Horror. The American Journal of Economics and Sociology (Jan.): 173-194.
Schindel, Estela Ed. and Pamela Colombo. 2014. Space and the Memories of Violence: Landscapes of Erasure, Disappearance and Exception. New York: Macmillan.
Seven Kilometres North East. Vercoe, Kym. 2010. https://www.youtube.com/watch?v=Ps5EhxML0Nc
Simić, Olivera and Zala Volcic. 2014. In the Land of Wartime Rape: Bosnia, Cinema and Reparation. Griffith Journal of Law & Human Dignity 2 (2).
Simić, Olivera. 2014. “Memorial Culture in the Former Yugoslavia: Mothers of Srebrenica and the Destruction of Artefacts by the ICTY”. In Rush, Peter and Olivera Simić (eds.), The Arts of Transitional Justice. New York: Springer.
Sliwinski, Sharon. 2009. On Photographic Violence. Photography & Culture 2 (3): 303-316.
Sliwinski, Susan. 2011. Human Rights in Camera. Chicago: University of Chicago Press.
Sontag, Susan. 1977. On Photography New York: Picador.
Sontag, Susan. 2001. Where the Stress Falls New York: Farrar Straus.
Sontag, Susan. 2003. Regarding the Pain of Others New York: Picador.
Stiglmayer, Alexandra (ed). 1992. Mass Rape: The War against Women in Bosnia-Herzegovina. Lincoln: University of Nebraska Press.
Taylor, John. 1998. Body Horror: Photojournalism, Catastrophe and War. Manchester: Manchester University Press
Taussig, Michael.1984. Culture of Terror-Space of Death. Robert Casement’s Putumayo Report and the Explanation of Torture. Comparative Studies in Society and History 26 (3): 467-497.
Taussig, Michael. 2009. What Color is the Sacred? Chicago: University of Chicago Press.
Tourism Association of Sarajevo Canton. 2014. “Bosnia and Herzegovina Revealed.” Tourism brochure http://www.sarajevo-tourism.com/udoc/brosure/Final_EN_V2.pdf
Trigg, Dylan. 2009. The Place of Trauma: Memory, hauntings, and the temporality of ruins. Memory Studies 2 (1): 87-101.
Trigg, Dylan. 2012. Memory of Place: A Phenomenology of the Uncanny. Dayton: Ohio University Press.
Tumarkin, Maria. 2005. Traumascapes: The Power and Fate of Places Transformed by Violence Melbourne: Melbourne University Press.
Tumarkin, Maria. 2015. Traumascapes revisited. Artlink 35, 1 March. https://www.artlink.com.au/articles/4278/traumascapes-revisited/
Verdery, Catherine. 1999. The Political Lives of Dead Bodies. New York: Columbia University Press.
Vidal, Marta. 2016. Pionirska House: Silence and Denial in Višegrad. Balkan Diskurs January 25. http://www.balkandiskurs.com/en/2016/01/25/pionirska-house-silence-and-denial-in-visegrad/
Višegrad Tourist Organization. “Hotel Vilina Vlas” http://www.visegradturizam.com/english/hotel-vilina-vlas
Weizman, Eyal. 2014. “Introduction: Forensis”. In Forensis: The Architecture of Public Truth, Eyal Weizman (ed.). Berlin: Sternberg Press.
All articles in Issues in Ethnology and Anthropology are published under the terms of the Creative Commons Attribution-ShareAlike 4.0 International License which allows authors and users to copy, distribute, transmit and adapt the article under the same conditions as in the licence.
The CC BY SA license permits non-commercial and commercial re-use of an open access article, as long as the author is properly attributed.
Copyright on any research article published by Issues in Ethnology and Anthropology is retained by the author(s).
Authors grant to the Issues in Ethnology and Anthropology the right to publish the article, to be cited as its original publisher in case of reuse, and to distribute it in all forms and media. Copyright and source must be acknowledged and a link must be made to the article's DOI.