Prémisses du système éducatif et espérances professionnelles sur les scènes des arts performatifs dans des périphéries
DOI :
https://doi.org/10.21301/eap.v20i1.10Mots-clés :
arts performatifs, éducation des artistes, éducation informelle, scène indépendante, périphérieRésumé
Le renforcement des capacités, la mise en réseau professionnelle et le soutien des artistes, hommes et femmes, ont une importance particulière dans les pays des périphéries géopolitiques, les petites villes et les milieux ruraux, ainsi que dans les genres expérimentaux, les pratiques interdisciplinaires, puis dans le cas des artistes qui vivent et travaillent dans des pays où ils/elles ne sont pas né/es. Ce thème est en outre pertinent dans le contexte des modèles de carrière dominants dans le secteur artistique, qui se caractérisent par des rôles atypiques, spécifiquement motivés et multiples que les artistes assument non seulement pour avancer dans leur carrière, mais aussi pour simplement survivre sur scène. À partir des résultats obtenus par des interviews avec 59 artistes des pays de l'Europe centrale et méridionale, dans l'article sont éclairées les différentes dimensions de l'éducation formelle et informelle, les divergences entre l'éducation et le travail, puis les pressions économiques qui limitent les libertés artistiques.
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