Festival des Malédictions : Une méthode traditionnelle de contrôle du crime dans l’état d’Edo du Nigéria
DOI :
https://doi.org/10.21301/eap.v7i1.4Mots-clés :
activités criminelles, institutions traditionnelles, contrôle du crime et maintien de l’ordreRésumé
Les festivals et les cérémonies font partie intégrante de la culture africaine, généralement dans toute leur pompe, joie et solennité. Toutefois, avec une vague croissante des activités criminelles au Nigéria et particulièrement dans l’état d’Edo, les festivals et les cérémonies sont redéfinis et conceptualisés dans la pratique. Ce n’est que récemment qu’un nouveau festival, ‘Festival des Malédictions’ a été porté au premier plan dans le combat contre le crime dans l’état d’Edo. C’est pourquoi cette étude cherche à expliquer le festival comme un mécanisme traditionnel de contrôle du crime, puis la nature du festival, les facteurs qui ont conduit à son émergence au 21e siècle, et enfin le niveau d’acceptation et l’impact du festival sur la réduction des activités criminelles dans l’Etat. L’étude a principalement utilisé la bibliographie secondaire et les interviews détaillées sur un échantillon parmi les Binis. Les principales conclusions ont révélé qu’immédiatement après le festival des malédictions, nombre de criminels dans l’état avaient assailli le Palais du monarque de Bini pour confesser leurs atrocités et pour demander le pardon. Indépendamment de l’appartenance des habitants au christianisme ou à l’islam, le festival a fait l’objet d’une acceptation massive due à la puissance et de la soudaine baisse du crime au cours de la période. L’étude conclut que le festival devrait être adopté comme un mécanisme de contrôle du crime et du maintien de l’ordre en Nigéria.
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