Le Film serbe à quel point est-il « serbe » ? La conceptualisation du culturellement normal et anormal dans la Serbie contemporaine
DOI :
https://doi.org/10.21301/EAP.v6i2.6Mots-clés :
modèles culturels cognitifs, conceptualisation culturelle, normal et anormal, anthropologie, Serbie, culture populaire – filmRésumé
L’objet du présent article est la création du modèle culturel cognitif de la normalité, et l’objectif en est de montrer la manière dont cette catégorie cognitive est appréhendée dans la culture serbe contemporaine par un groupe précis d’interrogés, formé à partir des paramètres suivants: l’âge – entre 24 et 37 ans; l’éducation - études supérieures terminées ou encore en cours; enfin, les interrogés devaient avoir vu le « Film serbe ». L’hypothèse de départ de cette étude a été la suivante : les contenus de la réponse à la question de savoir pourquoi le film porte le nom qu’il porte devraient rendre compte du concept du culturellement anormal, tout en aidant à trouver le modèle culturel cognitif de la société dans laquelle on vit et la manière dont il faudrait effectuer cette opération – où cette dernière suggérerait indirectement ce qui est supposé être culturellement normal.
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