Promišljanja o nostalgiji na primeru filma Nostalghia Andreja Tarkovskog

Autori

DOI:

https://doi.org/10.21301/eap.v19i1.6

Ključne reči:

nostalgija, temporalnost, zaglavljenost, film Nostalghia, Andrej Tarkovski

Apstrakt

Predmet ovog istraživanja jeste nostalgija koja je generisana činjenicom (privremene) migracije kao vrste ljudske pokretljivosti. Sledstveno, građu za analizu crpim iz umetničkog filma Nostalghia (1983), prvog ostvarenja sovjetskog reditelja Andreja Tarkovskog snimljenog izvan teritorije SSSR-a. Kako je u pitanju ostvarenje sa osobinama autobiografskog filma, načelno mu pristupam kao formi emocionalnog izraza. Usredsređen na emocionalnu (osećajnu) dimenziju nostalgije, Tarkovski postavlja tezu da je ona tegobna, a u svojim krajnjim dometima, smrtonosna. U pokušaju iznalaženja odgovora na pitanje zašto je zamišljena i/ili doživljena na taj način, vodim se osnovnom pretpostavkom da, pored ambivalentne prirode nostalgije, njen učinak te i kvalitet – zaglavljenost, jesu to što je čini neizdrživo tegobnom. Zaglavljeno nije nužno lišeno pokretanja, ali jeste lišeno dejstvenosti. U interpretaciji građe koja se odnosi na osećajnu dimenziju nostalgije, na jedan segment njene temporalne dimenzije i na to šta ona čini, osloniću se na teorijsko-metodološki konceptualni aparat antropologije emocija i migracija, kao i Dejvisove sociologije nostalgije. Analiza ukazuje na to da se tegobnost ove emocije, pa i njena smrtonosnost, krije u proživljavanju nostalgije kao emocionalnog stanja i u iscrpljujućem osećaju zaglavljenosti.

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