Zašto strahujemo od robopokalipse? Ljudska bezbednost u doba tehnofobije
DOI:
https://doi.org/10.21301/eap.v19i1.5Ključne reči:
roboti, inteligentne mašine, strah, filmovi naučne fantastike, koncept priznanja, RobokalipsaApstrakt
Rad nastoji da utvrdi gde je tačno u narativnim slojevima naučno-fantastičnih filmskih priča, zasnovanim na pretpostavci o tzv. eksploziji veštačke inteligencije, smešten široko rasprostranjeni strah javnosti od inteligentnih mašina. Autor u analizi kreće od pretpostavke da robopokaliptički narativ – naučno-fantastični narativ o distopijskoj budućnosti odnosa između ljudi i robota – čini osnovu iracionalnog tehnofobičnog stava raširenog u javnom mnjenju savremenih postindustrijskih društava. Kako naracija igra supstancijalnu ulogu u svakodnevnim refleksivnim i društvenim praksama, mi prirodno stremimo otkrivanju narativnih struktura u popularnoj kulturi, posebno u filmu kao najpopularnijem obliku vizuelne umetnosti. Empirijsku građu čini devet filmova iz žanra naučne fantastike: Nevidljivi dečak (The Invisible Boy,1957), Odiseja 2001. (2001: A Space Odyssey, 1968), Zapadni svet (Westworld, 1973), Svet budućnosti (Futureworld, 1976), Demonsko seme (Demon Seed, 1977), Blejd Raner (Blade Runner, 1982), Terminator (The Terminator, 1984), Matriks (The Matrix, 1999), Ex Machina (2015). Robopokaliptični narativ utkan u scenarije analiziranih filmova razotkriva četiri zajedničke ideje ili poruke koje uslovljavaju strah od izopačenih naprednih tehnologija: suvišnost ljudske vrste, moralna indiferentnost robota, roboti u ulozi emocionalnih zlostavljača i gubitak kontrole nad sopstvenim telom i umom. Autor zastupa tezu da navedene četiri ideje ili poruke odražavaju četiri sloja straha koji zbirno ukazuju na postojanje svojevrsnog meta-straha: straha od odbijanja da se bude prepoznat kao ljudsko biće. Autor zaključuje da koncept priznanja Aksela Honeta (Axel Honneth) utire mogući put ka pojašnjenju korena straha od robopokalipse##plugins.generic.usageStats.downloads##
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Filmography
: A Space Odyssey. 1968. Directed by Stanley Kubrick. Santa Monica (CA): Metro-Goldwyn Mayer.
Autómata. 2014. Directed by Gabe Ibáñez. N.p: Nu Boyana & Green Moon.
Blade Runner. 1982. Directed by Ridley Scott. Hollywood (CA): The Ladd Company, Sir Run Run Shaw.
Demon Seed. 1977. Directed by Donald Cammell. Santa Monica (CA): Metro-Goldwyn Mayer & Herb Jaffe Productions.
Ex Machina. 2014. Directed by Alex Garland. London: Film4, DNA Films.
Futureworld. 1976. Directed by Richard T. Heffron. Los Angeles: American International Pictures.
The Invisible Boy. 1957. Directed by Herman Hoffman. Santa Monica (CA): Metro-Goldwyn Mayer & Pan Productions.
The Matrix. 1999. Directed by Lana Wachowski and Lily Wachowski. Burbank (CA): Warner Bros. Pictures, Village Roadshow Pictures & Silver Pictures.
The Terminator. 1984. Directed by James Cameron. London: Hemdale Productions (Hemdale Film Corporation).
Westworld. 1973. Directed by Michael Crichton. Santa Monica (CA): Metro-Goldwyn Mayer.
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