Kulturološka tradicija zombifikacije na Haitiju: primer filma Beli zombi
DOI:
https://doi.org/10.21301/eap.v19i2.2Ključne reči:
vudu, Haiti, zombi, tradicionalna kultura, popularna kulturaApstrakt
Zombifikacija na Haitiju sprovedena je kao kontrolisana društveno-istorijska praksa, ukorenjena u religijskim verovanjima, kulturološkim obrascima i zakonskim pravilima. Odnosi se na prouzrokovanje socijalne smrti, pre negoli biološke, to jest na isključivanje pojedinaca iz društvene zajednice, te se dovodi u vezu sa načinima održavanja društvene kontrole, odnosno oblicima kažnjavanja prestupništva i sankcionisanja društveno nepoželjnog ponašanja, istovremeno u svrhu proizvodnje profitabilne radne snage. Ritual zombifikacije podrazumeva „umrtvljavanje“ pojedinaca upotrebom psihoaktivnih supstanci, čiji simptomi manifestuju prividni prestanak rada fizioloških funkcija i prikazuju se kao smrt, a potom i ritualno „oživljavanje“, koje žrtve ostavlja u stanju delirijuma. Razumevanje kulturološke tradicije zombifikacije zahteva posmatranje zombija kao socijalnog i kulturološkog fenomena, specifičnog za društvenu stvarnost Haitija, međutim, posredovanog putem zapadnjačkih predstava zasnovanih prvenstveno na ranim dvadesetovekovnim putopisima i popularnoj kulturi.
##plugins.generic.usageStats.downloads##
Reference
Ackermann, W. Hans and Jeanine Gauthier. 1991. „The Ways and Nature of the Zombi”. The Journal of American Folklore 104 (414): 466-494.
Bishop, Kyle William. 2010. American Zombie Gothic: The Rise and Fall (and Rise) of the Walking Dead in Popular Culture. Jefferson: McFarland & Company.
Creagh, Anna Brooks. 2015. „American Zombielore: Voodoo, Cinema, and the Undeath of Race“. PhD Diss. University of California, Los Angeles.
Davis, Wade. 1985. The Serpent and the Rainbow. New York: Simon & Schuster Paperbacks.
Degoul, Franck. 2011. „We are the mirror of your fears: Haitian Identity and Zombification”. In Better Off Dead: The Evolution of the Zombie as Post-Human, edited by Deborah Christie and Sarah Juliet Lauro, 24-38. New York: Fordham University Press.
Embry, Karen and Sarah Juliet Lauro. 2008. „A Zombie Manifesto: The Nonhuman Condition in the Era of Advanced Capitalism”. Boundary 2 35 (1): 85-108.
Inglis, David. 2010. „The Zombie from Myth to Reality: Wade Davis, Academic Scandal and the Limits of the Real“. SCRIPTed 7 (2): 351-369.
Kee, Cheera. 2011. „They are not men... They are dead bodies: From Cannibal to Zombie and Back Again”. In Better Off Dead: The Evolution of the Zombie as Post-Human, edited by Deborah Christie and Sarah Juliet Lauro, 9-23. New York: Fordham University Press.
Lauro, Sarah Juliet. 2015. The Transatlantic Zombie: Slavery, Rebellion, and Living Death. New Brunswick: Rutgers University Press.
Lizardi, Ryan. 2009. „The zombie media monster and its evolution as a sign and historical allegory”. MA Thesis. College of Communications, The Pennsylvania State University.
Luckhurst, Roger. 2015. Zombies: A Cultural History. London: Reaktion Books Ltd.
Mandić, Marina. 2018. „Rađanje živih mrtvaca: karakteristike žanra zombi filma i Romerova vizija apokalipse”. Antropologija 18 (3): 173-190.
Mandić, Marina. 2021. „Zamišljanje epidemije: Antropološka analiza predstava o zaraznim bolestima u popularnoj kulturi na primeru filmova o zombijima“. Doktorska dis. Filozofski fakultet, Univerzitet u Beogradu.
McAlister, Elizabeth. 2012. „Slaves, Cannibals, and Infected Hyper-Whites: the Race and Religion of Zombies”. Anthropological Quarterly 85 (2): 457–486.
McGee, M. Adam. 2012. „Haitian Vodou and Voodoo: Imagined Religion and Popular Culture”. Studies in Religion/Sciences Religieuses 41: 231-256.
Métraux, Alfred. 1946. „The Concept of Soul in Haitian Vodu”. Southwestern Journal of Anthropology 2 (1): 84-92.
Pinedo, Isabel. 1996. „Recreational Terror: Postmodern Elements of the Contemporary Horror Film”. Journal of Film and Video 48 (1/2): 17–31.
Rhodes, D. Gary. 2001. White Zombie: Anatomy of a Horror Film. Jefferson: McFarland & Company, Ink., Publishers.
Seabrook, B. William. 1929. The Magic Island. New York: The Literary Guild of America.
Sheller, Mimi. 2003. Consuming the Caribbean: From Arawaks to Zombies. London and New York: Routledge.
Williams, Tony. 1983. „White Zombie: Haitian Horror”. Jump Cut 28: 18-20.
##submission.downloads##
Objavljeno
Kako citirati
Broj časopisa
Sekcija
Licenca

Ovaj rad je pod Creative Commons Autorstvo-Deli pod istim uslovima 4.0 Internacionalna licenca.


