Obrok dana posle sutra. Predstave o hrani i ishrani u post-apokaliptičnim filmovima
DOI:
https://doi.org/10.21301/eap.v7i1.9Ključne reči:
filmovi postapokalipse, budućnost, antropologija hrane i ishraneApstrakt
Rad se bavi kulturnim predstavama o hrani i ishrani u filmovima na temu postapokalipse. Hrana/ishrana u ovim filmovima funkcioniše kao metafora uz pomoć koje se prikazuje buduća regresija ljudske civilizacije u pretpostavljene ranije stupnjeve razvoja. Hrana u ovim delima tako postaje moćan simbol, ona služi da se označi granica (ali predstavlja i posrednika) između reda (civilizacije) i haosa (postapokaliptičnog društva budućnosti), da se ocrta suprotnost između nas (mi, ljudi) i drugih (oni, ne-ljudi). Pitanja koja se u radu postavljaju jesu kakva je hrana opisana jezikom kraja sveta i kakve socijalne odnose ljudi u takvom okruženju upotrebom hrane grade, koji su strahovi, vezani za hranu današnjice, fiktivno oblikovani i izraženi uz pomoć medija naučnofantastičnog filma. Razmatranjem filmskih scena ishrane u izabranim delima izdvojiće se teme koje se ponavljaju u vezi s hranom, to jest ispitaće se modeli ishrane koji su zajednički postapokaliptičnim filmovima i čija je svrha/cilj da se naznači „drugačijost“ budućnosti.
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