L’horreur et le mal
DOI :
https://doi.org/10.21301/eap.v11i2.1Mots-clés :
horreur, culture, peur, mal, réalité, l’irréelRésumé
Ce travail traite le rapport entre le réel et l’irréel dans la prosed’horreur. La principale thèseen est que le concept du mal dans les récits d’horreursurgitdes contenus liminaux qui sont le produit desexpériencessubjectives que l’auteura de la réalité. L’objectif de ce travail est de répondre à la question si de tells conceptualisations du mal peuvent être rangées dans un contexte socioculturel précis ou si elles sont au contraire arbitraires,étant ancrées dans l’imagination des auteurs de prose. Dans l’objectifs de résoudrece dilemme, ce travail se concentre sur l’analyse des instructions pour l’écriture des histoires d’horreur que les principaux représentants contemporains du genre d’horreuront formulé-sous forme de livres, d’essais et de préfaces et qui, entre autre, réflechissentsur la thématisation du mal dans la prose d’horreur.
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