Lekcije koje progone
DOI:
https://doi.org/10.21301/eap.v11i2.6Ključne reči:
užas, umetnička dela, mesta ekstremnog nasilja, ukleta mesta društvenog životaApstrakt
Ovaj rad se bavi užasom kroz radove troje umetnika koji koriste lokacije i ostatke ekstremnog nasilja kao teme. U pitanju su: performans australijske glumice Kim Verko “Sedam kilometara severozapadno”, film bosanske rediteljke Jasmile Žbanić zasnovan na tim performansu, “Za one koji ne mogu da govore”, i projekat bosanskog fotografa Zijaha Gafića koji je još uvek u toku, “Potraga za identitetom” – serija fotografija materijalnih ostataka pronađenih u masovnim grobnicama u okolini Srebrenice, od kojih su neki izloženi u Memorijalnoj Sali Srebrenice u bivšem sedištu holandskog bataljona UNPROFOR-a u Potočarima. Rad Verkoove i Žbanićeve se fokusira na Višegrad i posebno motel Vilina Vlas, koji je bio logor u kojem su vršena sistematska silovanja tokom rata u Bosni. Mesta poput ovih na kojima su se dogodili činovi nasilja nose više od tragova; ona su prepuna okruženja i uslova proteklih događaja koji u njima ostaju i oživljavaju ih. Ejveri Gordon (Avery Gordon) ih opisuje kao ukleta mesta društvenog života koja nisu lako opažljiva ali se njihovo prisustvo oseća. Masovna ubistva, seksualno nasilje, genocid i kolonijalno nasilje ostavljaju tragove koji prožimaju okruženje i mogu stvoriti podsvesnu ali jasno uočljivu i prepoznatljivu atmosferu užasa i ukletosti. Ova mesta utelovljuju ono što Julija Kristeva naziva ’abjekcija’ – poniženost, bedastoća koja prelazi „granice, pozicije, pravila“ i „remeti identitet, sistem, red“. Ispitujući ova umetnička dela i referencirajući sopstvena iskustva kao novinara koji je radila u posleratnoj Hrvatskoj i Bosni i Hercegovini, istražujem kako dvostruka priroda abjekcije korelira sa materijalnim ostacima i mestima ekstremnog nasilja i kako proizvodi psihičko remećenje. Moj argument je da ova dela razotkrivaju kako naizgled neživo može postati živo mesto užasa, ali da su uključena u kreativne pokušaje da transformišu psihičku i prostornu abjekciju motivisanu produktivnim porivom „da se nešto uradi“.
##plugins.generic.usageStats.downloads##
Reference
Ahmetašević, Niđžara, Nerma Jelačić and Selma Boračić. 2006. Višegrad Rape Victims Say Their Cries Go Unheard. Institute for War and Peace Reporting/Balkan Insight, October 18. http://www.balkaninsight.com/en/article/visegrad-rape-victims-say-their-cries-go-unheard
Andrić, Ivo. 1959. The Bridge on the Drina. New York: Macmillan.
Azoulay, Ariella. 2008. The Civil Contract of Photography. New York: Zone Books.
Barthes, Roland. 1980. Camera Lucida. New York: Farrar Strauss.
Bećirović, Edina. 2012. Hotel Vilina Vlas, Višegrad — Then and Now, Commemorating Rape Victims. Spirit of Bosnia 7 (2): 1-6.
Bećirović, Edina. 2014. Genocide on the Drina River. New Haven: Yale University Press.
Benjamin, Walter. 1968. Illuminations New York: Schocken Books.
Boose, Lynda. 2002. Crossing the River Drina: Bosnian Rape Camps, Turkish Impalement, and Serb Cultural Memory. Signs 28 (1), Gender and Cultural Memory: 71-96.
Carroll, Noël. 1987. The Nature of Horror. The Journal of Aesthetics and Art Criticism 46 (1): 51-59
Caruth, Cathy. 1991. Introduction. American Imago: Studies in Psychoanalysis and Culture 48: 1-12.
Clancy, Tim. 2004. Bosnia and Herzegovina: The Bradt Travel Guide. Guilford: The Globe Pequot Press.
Danzinger, Nick and Rory McLean. 2010. Missing Lives. Stockport: Dewi Lewis Publishing and ICRC.
Derrida, Jacques. 1994. Specters of Marx. Trans. Peggy Kamuf New York: Routledge.
Edwards, Elizabeth. 2012. Objects of Affect: Photography beyond the Image. The Annual Review of Anthropology 41: 221-34.
Eng, Karen. 2014. “Orphans of the narrative: Bosnian photographer Ziyah Gafić documents the aftermath of war” August 25 TED blog. http://fellowsblog.ted.com/2014/08/25/orphans-of-the-narrative-bosnian-photographer-ziyah-gafic-documents-the-aftermath-of-war
For Those Who Can Tell No Tales. 2013. Directed by Jasmila Žbanić. DVD. Sarajevo, Bosnia-Herzegovina, Deblokada Films.
Foreign Investment Promotion Agency of Bosnia and Herzegovina. 2012. “Investment Opportunities in Bosnia and Herzegovina.” http://www.sarajevo.ba/ba/files/bcentar/investment-opportunities-fipa.pdf
Freud, Sigmund. 1997. “The Uncanny”. In Freud, Writings on Art and Literature. Stanford: Stanford University Press.
Gafić, Ziyah. 2004. “Aftermath” in Eyes Wide Open: Photography by the winners of the Ian Parry Scholarship London: Chris Boot.
Gafić, Ziyah. 2012. “Quest for Identity” lensculture January 10.
https://www.lensculture.com/articles/ziyah-gafic-quest-for-identity
Gafić, Ziyah. 2014. “Orphans of the Narrative”. Huffington Post October 28.
Gafić,Ziyah. “Quest for Identity”. http://www.ziyahgafic.ba/photo.php?id=14
Gordon, Avery. 1997. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press.
Gordon, Avery. 2011. Some Thoughts on Haunting and Futurity. Borderlands 10 (2). http://www.borderlands.net.au/vol10no2_2011/gordon_thoughts.pdf
Hirsch, Marianne. 2001. Surviving Images: Holocaust Photographs and the Work of Postmemory. The Yale Journal of Criticism 14 (1): 5-37.
Husanović, Jasmina. 2015. Economies of affect and traumatic knowledge: lessons on violence, witnessing and resistance in Bosnia and Herzegovina. Ethnicity Studies / Etniskumo Studijos 2: 19-35.
Johnson, Tony. 2010. “Thanatourism and the commodification of space in post-war Croatia and Bosnia”. In Tourist Experience: Contemporary Perspectives, Richard Sharpley and Philip R. Stone (eds.). London: Routledge.
Karčić, Hikmet. 2014. Andrićgrad: the ‘town within a town’ on the Drina. Bosnian Institute May 28. http://www.bosnia.org.uk/news/news_body.cfm?newsid=2896
Kleck, Monica. 2007. “A Review from Eastern Bosnia”. In Peacebuilding and Civil Society in Bosnia-Herzegovina: Ten Years after Dayton, Marina Fischer (ed.). Berlin: Lit Verlag.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. New York: Columbia University Press (Trans. Leon S. Roudiez).
Lowe, Paul. 2014. “The Forensic Turn: Bearing Witness and the ‘Thingness’ of the Photograph”. In The Violence of the Image, Liam Kennedy and Caitlin Patrick (eds). London: Tauris.
McLagan, Meg. 2007. “Human Rights, Testimony, and Transnational Publicity”. In Non-Governmental Politics, Michel Fehrer (ed). Brooklyn: Zone Books.
Meštrović, Stjepan and Robert Cushman. 1994. This Time We Knew: Western Responses to Genocide in Bosnia. New York: New York University Press.
No author listed. 2014. “Les Femmes de Višegrad – Rencontre avec Jasmila Žbanić”. À Voir À Lire April 29.
No author listed. 2014. “Q&A: Jasmila Žbanić” Istanbul Foundation for Culture and the Arts April 4.
No author listed. “Rehabilitacioni centar Vilina Vlas.” http://www.vilina-vlas.com/smjestaj.php
Obradović-Wochnik, Jelena. 2013. Ethnic Conflict and War Crimes in the Balkans: The Narratives of Denial in Post-Conflict Serbia. New York: Tauris.
Olujić, Maria B. 1998. Embodiment of Terror: Gendered Violence in Peacetime and Wartime in Croatia and Bosnia-Herzegovina. Medical Anthropology Quarterly 12 (1): 31–50.
Panacomp Wonderland Travel. “Drina River Rafting and its Gorgeous Surroundings” http://www.panacomp.net/drina-river-rafting-and-its-gorgeous-surroundings/
Pile, Steve. 2010. Emotions and affect in recent human geography. Transactions of the Institute of British Geographers, New Series, 35 (1): 5-20.
Riedlmayer, András. 2007. Crimes of War, Crimes of Peace: Destruction of Libraries during and after the Balkan Wars of the 1990s. Library Trends 56 (1): 107-132.
Santill, Paul. 2007. Culture, Evil and Horror. The American Journal of Economics and Sociology (Jan.): 173-194.
Schindel, Estela Ed. and Pamela Colombo. 2014. Space and the Memories of Violence: Landscapes of Erasure, Disappearance and Exception. New York: Macmillan.
Seven Kilometres North East. Vercoe, Kym. 2010. https://www.youtube.com/watch?v=Ps5EhxML0Nc
Simić, Olivera and Zala Volcic. 2014. In the Land of Wartime Rape: Bosnia, Cinema and Reparation. Griffith Journal of Law & Human Dignity 2 (2).
Simić, Olivera. 2014. “Memorial Culture in the Former Yugoslavia: Mothers of Srebrenica and the Destruction of Artefacts by the ICTY”. In Rush, Peter and Olivera Simić (eds.), The Arts of Transitional Justice. New York: Springer.
Sliwinski, Sharon. 2009. On Photographic Violence. Photography & Culture 2 (3): 303-316.
Sliwinski, Susan. 2011. Human Rights in Camera. Chicago: University of Chicago Press.
Sontag, Susan. 1977. On Photography New York: Picador.
Sontag, Susan. 2001. Where the Stress Falls New York: Farrar Straus.
Sontag, Susan. 2003. Regarding the Pain of Others New York: Picador.
Stiglmayer, Alexandra (ed). 1992. Mass Rape: The War against Women in Bosnia-Herzegovina. Lincoln: University of Nebraska Press.
Taylor, John. 1998. Body Horror: Photojournalism, Catastrophe and War. Manchester: Manchester University Press.
Taussig, Michael.1984. Culture of Terror-Space of Death. Robert Casement’s Putumayo Report and the Explanation of Torture. Comparative Studies in Society and History 26 (3): 467-497.
Taussig, Michael. 2009. What Color is the Sacred? Chicago: University of Chicago Press.
Tourism Association of Sarajevo Canton. 2014. “Bosnia and Herzegovina Revealed.” Tourism brochure http://www.sarajevo-tourism.com/udoc/brosure/Final_EN_V2.pdf
Trigg, Dylan. 2009. The Place of Trauma: Memory, hauntings, and the temporality of ruins. Memory Studies 2 (1): 87-101.
Trigg, Dylan. 2012. Memory of Place: A Phenomenology of the Uncanny. Dayton: Ohio University Press.
Tumarkin, Maria. 2005. Traumascapes: The Power and Fate of Places Transformed by Violence Melbourne: Melbourne University Press.
Tumarkin, Maria. 2015. Traumascapes revisited. Artlink 35, 1 March. https://www.artlink.com.au/articles/4278/traumascapes-revisited/
Verdery, Catherine. 1999. The Political Lives of Dead Bodies. New York: Columbia University Press.
Vidal, Marta. 2016. Pionirska House: Silence and Denial in Višegrad. Balkan Diskurs January 25. http://www.balkandiskurs.com/en/2016/01/25/pionirska-house-silence-and-denial-in-visegrad/
Višegrad Tourist Organization. “Hotel Vilina Vlas” http://www.visegradturizam.com/english/hotel-vilina-vlas
Weizman, Eyal. 2014. “Introduction: Forensis”. In Forensis: The Architecture of Public Truth, Eyal Weizman (ed.). Berlin: Sternberg Press.
##submission.downloads##
Objavljeno
Kako citirati
Broj časopisa
Sekcija
Licenca
Ovaj rad je pod Creative Commons Autorstvo-Deli pod istim uslovima 4.0 Internacionalna licenca.
ERIH PLUS - European Reference Index for the Humanities
World Cat
AnthroSerbia
