Kratak uvod u istoriju antropologije fotografije

Autori

DOI:

https://doi.org/10.21301/eap.v12i1.6

Ključne reči:

antropologija fotografije, anglo-američka i francuska antropološka tradicija, kolaborativni projekti, hipermediji, arhivska fotografija

Apstrakt

Rad predstavlja pregled najvažnijih antropologa, pre svega u anglo-američkoj i francuskoj tradiciji, koji su uticali na stvaranje antropologije fotografije i dalje utrli njen put, poput Boasa, Malinovskog, Evansa-Pričarda, Mid i Bejtson, Levi-Strosa i Džona Kolijera. Zatim,  u radu se izlažu savremena promišljanja na temu fotografije u istraživanjima (Pink, Edvards, Rubi i Pini) i predstavlja nekoliko primera novijih inovativnih istraživačkih projekata kao što su: analize arhivske muzejske i istorijske fotografije, elektronski hipermediji, kolaborativni projekti s ispitanicima i fotografima, foto-esej i „fotografsko izmamljivanje“. Cilj rada je da prikaže da fotografija ne treba da bude samo tehničko pomagalo pri terenskom radu, već da nudi naučni i kreativni potencijal za savremenu antropologiju.

##plugins.generic.usageStats.downloads##

##plugins.generic.usageStats.noStats##

Reference

Banks, Marcus. 2001. Visual Methods in Social Research. London, Thousand Oaks, New Delhi: Sage Publications.

Banks, Marcus. 2007. Using Visual Data in Qualitative Research. Los Angeles, London, New Delhi, Singapore: Sage Publications.

Bart, Rolan. 1979. Retorika slike, Treći program 41, Beograd: 465-469.

Barthes, Roland. 1981. Camera Lucida: Reflections on Photography. New York: Hill and Wang/Farrar, Straus & Giroux.

Barthes, Roland. 1997. The Photographic Message. In Image, Music, Text, translated by Stephen Heath, 15-31. New York: Hill and Wang.

Bateson, Gregory and Margaret Mead. 1942. Balinese Character: a Photographic Analysis. New York: New York Academy of Sciences.

Bayre, Francesca, Krista Harper and Ana Isabel Afonso. 2016. Participatory Approaches to Visual Ethnography from the Digital to the Handmade. An Introduction. Visual Ethnography 5(1): 5-13.

Binney, Judith and Gillian Chaplin. 2003. “Taking the Photographs Home. The Recovery of a Māori History”. In Museum & Source Communities: A Routledge Reader, eds. Laura Peers and Alison K. Brown, 100-110. London and New York: Routledge.

Bourdieu, Pierre, Luc Boltanski, Robert Castel, Jean-Claude Chamboredon and Dominique Schnapper. 1990. Photography: A Middle-Brow Art. Oxford: Politiy Press with Blackwell Publishers Ltd.

Braun, Marta. 2008. “Marey, Etienne-Jules (1830–1904)”. In Encyclopedia of Nineteenth-Century Photography, ed. John Hannavy, 890-892. New York and London: Routledge, Taylor & Francis Group.

Brujić, Marija and Miloš Milenković. 2014. Prospective Perspective: Visual Anthropology and/as Intangible Cultural Heritage in Serbia. Narodna umjetnost: Croatian Journal of Ethnology and Folklore Research 51 (1): 55-69.

Calhoun, Craig. 2012. Foreword to Picturing Algeria, Pierre Bourdieu, eds. Franz Schultheis and Christine Frisinghelli, vii-xvi. New York: Columbia University Press.

Clifford, James. 1986. “Introduction: Partial Truths”. In Writing Culture, eds. James Clifford and George Marcus, 1-26. Berkeley: University of California Press.

Collier, John Jr. 1967. Visual Anthropology: Photography as a Research Method. New York, Chicago, San Francisco, Atlanta, Dallas, Montreal, Toronto, London: Holt, Rinehart and Winston, Inc.

Collier, John Jr. 1995. „Photography and Visual Anthropology“. In Principles of Visual Anthropology, eds. Paul Hockings, 235-254. Berlin, New York: Mouton de Gruyter.

Collier, Malcom. 2009. „Photographic Exploration of Social and Cultural Experience“. In Viewpoints: Visual Anthropologists at Work, eds. Mary Strong and Laena Wilder, 13-31. Austin: University of Texas Press.

Coover, Roderick. 2004. „Working with images, images of work. Using digital interface, photography and hypertext in ethnography“. In Working Images: Visual Research and Representation in Ethnography, eds. Sarah Pink, László Kürtl and Ana Isabel Alfonso,182-200. London and New York: Routledge.

Crank, Andy. 2006. “Farm Security Administration”. In Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, 481-484. New York and London: Routledge, Taylor and Francis Group.

Da Silva, Olivia and Sarah Pink. 2004. “In the Net: Anthropology and Photography”. In Working Images. Visual Research and Representation in Ethnography, eds. Sarah Pink, László Kürtl and Ana Isabel Alfonso, 156-163. London and New York: Routledge.

Douglas, Lee. 2015. The Arts of Recognition. Anthropology Now 7(3). Dostupno na: http://anthronow.com/print/the-arts-of-recognition [13 okt 2016]

Dreiser, Petra. 2006. “Social Representation”. In Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, 1447-1451. New York and London: Routledge, Taylor and Francis Group.

Edwards, Elizabeth. 1992. Introduction to Anthropology and Photography 1860-1920, ed. Elizabeth Edwards, 3-17. London: Yale University Press in association with the Royal Anthropological Institute.

Edwards, Elizabeth. 1999. “Beyond the Boundary: a Consideration of the Expressive in Photography and Anthropology”. In Rethinking Visual Anthropology, eds. Marcus Banks and Howard Morphy, 53-80. New Haven, London: Yale University Press.

Edwards, Elizabeth. 2001. Raw Histories. Photographs, Anthropology and Museums. Oxford, New York: Berg.

Edwards, Elizabeth and Janice Hart. 2004. Photographs as Objects. Introduction to Photographs, objects, histories, eds. Elizabeth Edwards and Janice Hart, 1-16. New York: Routledge.

Edwards, Steve. 2006. Photography: A Very Short Introduction. Oxford and New York: Oxford University Press.

Evans-Pritchard, Edward Evan. 1937. Witchcraft, Oracles and Magic among the Azande. Oxford: Oxford University Press.

Evans-Pritchard, Edward Evan. 1974/1940. The Nuer. A Description of the Modes of Livelihood and Political Institutions of a Nilotic People. New York and Oxford: Oxford University Press.

Evans-Pritchard, Edward Evan. 1956. Nuer Religion. New York and Oxford: Oxford University Press.

Gernsheim, Helmut. 1986. A Concise History of Photography. New York: Dover Publications, Inc.

Geo, Daniella. 2006. „Documentary Photography“. In Encyclopedia of Twentieth-Century Photography, eds. Lynne Warren, 402-410. New York and London: Routledge, Taylor and Francis Group.

Glass, Aaron. 2009. „Frozen Poses: Hamat’sa Dioramas, Recursive Representation, and the Making of a Kwakwaka’wakw Icon“. In Photography, Anthropology and History. Expanding the Frame, eds. Christopher Morton and Elizabeth Edwards, 89-116. Farnham: Ashgate.

Gold, Steven. 1991. Ethnic Boundaries and Ethnic Entrepreneurship: A Photo‐Elicitation Study. Visual Sociology 6(2): 9-22.

González, J.A. 1992. A Contemporary Look at Pierre Bourdieu's Photography: A Middle-Brow Art. Visual Anthropology Review 8(1): 126-131.

Graham, Laura R. 2009. “Problematizing Technologies for Documenting Intangible Culture. Some Positive and Negative Consequences”. In Intangible Heritage Embodied, eds. D. Fairchild Ruggles and Helaine Silverman, 185-200. London, New York: Springer.

Grenfell, Michael and Cheryl Hardy. 2007. Art Rules. Pierre Bourdieu and the Visual Arts. Oxford and New York: Berg.

Grimshaw, Anna and Ravetz, Amanda. 2005. Introduction to Visualizing Anthropology, eds. Anna Grimshaw and Amanda Ravetz, 1-15. Bristol, Portland: New Media Intellect.

Harper, Douglas. 2003. Framing photographic ethnography. A case study. Ethnography 4(2): 241–266.

Haulend Rau, Džon. 1972. „Tehnička pomagala u antropologiji: istorijski pregled, fotografija. U Antropologija danas, ur. Alfred L. Kreber, 745-750. Beograd: Vuk Karadžić.

Hockings, Paul (ed). 1995. Principles of Visual Anthropology. Berlin, New York: Mouton de Gruyter.

Hutnyk, John. 1990. Comparative Anthropology and Evans-Pritchard’s Nuer Photograph. Critique of Anthropology, 10 (1): 81-102.

Jacknis, Ira. 1988. Margaret Mead and Gregory Bateson in Bali: Their Use of Photography and Film. Cultural Anthropology 3(2): 160-177.

Krstić, Marija. 2011. Mind the Gap: The Use of Artistic Methods in Anthropological Research. A Critical Reading of Marcus. Etnološka tribina 41 (34): 69-85.

Loescher, Margeret. 2005. „Cameras at the Addy: Speaking in Pictures with City Kids“. Visualizing Anthropology, eds. Anna Grimshaw and Amanda Ravetz, 55-65. Bristol, Portland: New Media Intellect.

MacDougall, David. 1998. Transcultural Cinema. Princeton, New Jersey: Princeton University Press.

MacDougall, David. 1999. “The Visual in Anthropology”. In Rethinking Visual Anthropology, eds. Marcus Banks and Howard Morphy, 276-295. New Haven, London: Yale University Press, 276– 295.

Morphy, Howard and Marcus Banks. 1999. Rethinking Visual Anthropology. Introduction to Rethinking Visual Anthropology, eds. Marcus Banks and Howard Morphy, 1-35. New Haven and London: Yale University Press.

Orobitg Canal, Gemma. 2004. “Photography in the Field. Word and Image in Ethnographic Research”. In Working Images: Visual Research and Representation in Ethnography, eds. Sarah Pink, László Kürtl and Ana Isabel Alfonso, 28-42. London and New York: Routledge.

Pink, Sarah. 2001. Doing Visual Ethnography. Images, Media and Representation in Research. SAGE Publications: London, Thousand Oaks, New Delhi.

Pink, Sarah. 2003. Interdisciplinary Agendas in Visual Research: Re-Situating Visual Anthropology. Visual Studies 18(2): 179 — 192.

Pink, Sarah. 2004. “Conversing Anthropologically: Hypermedia as Anthropological Text”. In Working Images: Visual Research and Representation in Ethnography, eds. Sarah Pink, László Kürtl and Ana Isabel Alfonso, 164-181. London and New York: Routledge.

Pinney, Christopher. 1992. „The Parallel Histories of Anthropology and Photography“. In Anthropology and Photography 1860-1920, ed. Elizabeth Edwards, 74-95. London: Yale University Press in association with the Royal Anthropological Institute.

Pohlad, Mark B. 2006. “History of Photography: Twentieth-Century Pioneers”. In Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, 723-731. New York and London: Routledge, Taylor and Francis Group.

Prodger, Phillip. 2008. “Muybridge, Eadweard James (1830–1904)”. In Encyclopedia of Nineteenth-Century Photography, ed. John Hannavy, 967-970. New York and London: Routledge, Taylor & Francis Group.

Ruby, Jay. 1981. Seeing Through Pictures: The Anthropology of Photography. Camera Lucida 3: 19-32.

Ruby, Jay. 1996. “Visual Anthropology”. In Encyclopedia of Cultural Anthropology, eds. David Levinson and Melvin Ember, 1345-1351. New York: Henry Holt and Company.

Schultheis, Franz. 2012. “Pierre Bourdieu and Algeria: an Elective Affinity”. In Picturing Algeria, Pierre Bourdieu, eds. Franz Schultheis and Christine Frisinghelli, 1-6. New York: Columbia University Press.

Smith, Philip. 2001. Cultural Theory: An Introduction. Malden, Oxford, Victoria: Blackwell Publishing.

Townsend-Gault, Charlotte. 2006. “Visual Anthropology”. In Encyclopedia of Twentieth-Century Photography, ed. Lynne Warren, 1626-1629. New York and London: Routledge, Taylor and Francis Group.

Wolbert, Barbara. 2000. The Anthropologist as Photographer: The Visual Construction of Ethnographic Authority. Visual Anthropology 13: 321-343.

Wright, Terence. 1991. The Fieldwork Photographs of Jenness and Malinowski and the Beginnings of Modern Anthropology. Journal of the Anthropological Society of Oxford 22/1: 41-58.

##submission.downloads##

Objavljeno

2017-03-09

Broj časopisa

Sekcija

Naučni članci

Najčitanije od istog autora

1 2 > >>